For example, as a Stephen King fan enjoying the short story “Trucks” and Maximum Overdrive are entirely different experiences. Each tome stands on its own, but it would have been great to see a film counterpart that could be embraced on its own terms. It would have been nice to see that change, especially in the 1980’s when Laymon’s books first burst onto the scene. Love Real Life Ghost Hunting Shows? CLICK HERE FOR MORE! He wrote over thirty novels, all of which were dark, extreme works of violence and horror. That doesn’t mean it wasn’t layered, excellent prose, only that you could read the book and clearly see exactly how it could work as a film.Richard Laymon was one of those authors. It’s surprising, in some ways, because a few of these authors felt like their fiction was catered for a visual medium. And while a few have gone on to be among the biggest names in horror fiction, they never got to see their work on the screen-if they even wanted to. Folks like Clive Barker and Jack Ketchum, both of whom emerged during the splatterpunk heyday, saw their work adapted to film with much success. Most authors did not. Naturally, this brought a lot of backlash, but it also introduced a lot of new voices-and readers, for that matter-into the genre. The movement was about going as far as possible, going to extremes to unnerve and shock the reader. While slashers dominated the screen in the 1980’s, splatterpunk dominated the page.
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